Vânia Rovisco performer and dancer, creator of installations and durational pieces through which explores and updates relational processes.

With a work strongly anchored in research and consequent creation of a procedural embodiment, made for, working with the public manufacturing experiences mediated spatial modeling, temporal and perceptual. To this end uses the simple articulation of meaning devices such as wording, the formal hybridity, the cadence and articulation of time, the use of inherited geometries of choreography’s use for affirmation or disruption of social standardization, such entries and projections are displayed on the body and modes.

Bringing the performative work towards the geography of affections and relations (framing, accelerating, intensifying the bodies), including it in the gallery space – requiring therefore a recasting of the guidelines, expectations and involvement, turning the public into a co-creator attainingr singular experience, mediator of the results, and living document of the process.

Considering as centered reference the body as meaning agent, embodiment as a result and co-creation (social, subjective or intimate), Vânia Rovisco makes these an operating resource and power generator of her work. The first assumes the conduct of time, the states of things and processes, the second expresses points, highlights and combines all (speed, genders, genres, moods, tenses, affections) that a body is, all in which continuously manifetate through how and what experience is portrayed..

Thus presenting vast sets of pieces that cover her research spectrum and recent works as: video installations, performance as a live installation, installation, music and performance. In all a common denominator prevails: the production of meaning as an encounter between and departing from bodies/movement.